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Her manner appeared hard and ungracious, while her heart was dissolving with emotions - Harriet Martineau and Her Deafness

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By Valerie Doulton   Martineau’s Childhood and the Beginnings of Deafness Harriet Martineau was born in 1802, in Norwich, the principal city of the county of Norfolk, in England. Her family was of Huguenot descent and Unitarian, a type of non-conformist Christianity which Martineau rejected as an adult, eventually becoming an atheist. Early on in her life it was noticed that Martineau was musically gifted. But at twelve years old she began to notice a small but perceptible loss of hearing. By the time she was sixteen this had become considerably more pronounced, causing her considerable personal and social distress. In ‘Household Education’ (1828), she wrote about the onset of her deafness: “Now and then, someone made light of it. Now and then, someone told her that she mismanaged it, and gave advice which, being inapplicable, grated upon her morbid feelings; but no one inquired what she felt, or appeared to suppose that she did feel. Many were anxious to show kindness and tried to sup
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Martial Arts for Disabled People - A Historical Perspective

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By Richard Sison Over their long history, martial arts have evolved various forms and techniques. A lesser known but significant aspect of this history is martial arts practice for disabled people .  Historically, such adaptations have emerged in various cultures and regions, reflecting that disability and interest in martial arts are worldwide phenomena.  Martial arts enable disabled and non-disabled individuals to physically train, cultivate mental well-being, and foster social connections. Historical Origins – Ancient China and Japan  Martial arts practices tailored for disabled individuals have a long history, with accounts dating back to ancient China and Japan. Various sources documented these practices, providing insights into the time's techniques, beliefs, and influences. Ancient China In ancient China, records of martial arts techniques were adapted. These techniques focused on using internal energy (qi) rather than physical strength, making them accessible to individuals
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Penelope Friday on George Austen

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By Emmeline Burdett and Penelope Friday A few months ago I was reading an article in Jane Austen’s Regency World magazine, that told the story of the novelist Jane Austen’s disabled brother George. I’d heard about George before: he featured in the 2007 film Becoming Jane, starring Anne Hathaway as Jane Austen, and the film suggested both that the siblings had a relatively close relationship, and that George was the reason that his sister knew sign language. More darkly, other sources have shown that George was not included in his family tree, as though he had not existed at all. The article in Jane Austen’s Regency World magazine was written by Penelope Friday, a disabled writer whose website is https://penelopefriday.com . I interviewed Penelope Friday for Public Disability History. Figure 1 - George and Jane Austen from the 2007 movie "Becoming Jane". Credit:  https://janeausten.co.uk/blogs/jane-austen-life/george-austen?currency=eur  .  1.   What year was George Austen bor
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Theodorus Steib (born 1627)

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– A disabled artist and his self-determined life – The Object We [the authors] discovered this miniature self-portrait of Theodorus Steib. It is not just a testament to his painting skills, but also to how he saw himself. His painting skills were truly amazing, and he also managed to capture his experiences as a disabled person in seventeenth-century Austria and Germany.  Self-portrait of Thodorus Steib. Oil on oak wood, dated 1651. Photo: K.-K., Rhineland-Palatinate, image courtesy of the owners. The picture shows him deep in concentration, sitting on a red cushion on the floor. His gaze is fixed on his feet. As he was born without hands or arms, his feet allowed him to live a self-determined life.  He is shown surrounded by the tools of his trade. Beside him there is an inkwell, an ink blotter, and two quills. By his other side there is a stack of paper with scissors, a drinking vessel, a can and a cut-out object. All these things are expressions of his independence, which show in hi
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"An Additional Claim": Amputee officers in Nelson's Navy

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By Teresa Michals A victorious career fighting the French at sea as a Royal Navy officer during the Revolutionary and Napoleonic Wars required a lot: highly specialized seamanship skills, charismatic leadership, absolute indifference to death or injury, well-placed and active patrons, and luck. What it did not require was two arms or two legs. From 1795 to 1837 at least twenty-six officers survived amputation of limbs damaged in battle and continued in active service, including command at sea. They continued to capture, sink, or burn enemy ships. Six returned to fight without a leg; twenty without an arm (Michals, Lame Captains and Left-Handed Admirals: Amputee Officers in Nelson’s Navy . All statistics and quotations from this source.). All these officers were gentlemen and thus well-positioned within patronage networks.  The support offered by their elite social and professional status shaped their experience of limb loss in their day, as did the fact that this loss was not congenita
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"The past is valid only in relation to whether the present recognizes it"

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By Emmeline Burdett This quotation comes from Beethoven Was One-Sixteenth Black , one of the short-stories in a collection by the white South African writer Nadine Gordimer, which was published in 2007. It demonstrates how differing interpretations of the past can easily become a politicized battleground. A new chamber opera which looks at disability history through a highly politicized lens demonstrates both the pitfalls and the possibilities of this approach.  The Paradis Files was created by Graeae Theatre Company and tells the story of Maria Theresia von Paradis (1759-1824), an Austrian composer and pianist who went blind at around the age of three, and who wrote at least five operas, two cantatas, fifteen keyboard works, several songs and a piano trio. Graeae was founded in 1980 by the disabled actor Nabil Shaban, specifically to counter prejudices and popular myths about disabled people. It was named after the Graeae of Greek mythology - three sisters named Deino (dread), Enyo
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